Friday, 16 August 2013
Tuesday, 13 August 2013
UPTET 2013 RESULT
UPTET 2013 RESULT DECLARED . PLZ CHECK RESULT IN BELOW LINK
http://upbasiceduboard.gov.in/tet_regno.aspx
http://upbasiceduboard.gov.in/tet_regno.aspx
Monday, 12 August 2013
UPTET 2013 Result upbasiceduboard.gov.in UPTET Results 2013
UPTET Results 2013 upbasiceduboard.gov.in Official Website UPTET June Exam Result Link / Utter Pradesh Teacher Eligibility Test 2013 Results.
UPTET 2013 Result : Utter Pradesh Teacher Eligibility Test for this year is going to be conducted on 27 June and 28 June 2013 by Uttar Pradesh Basic Education Board and UP Govt. A lot of centers have been organized to keep candidate's facility in mind. This exam is conducted every year for graduated candidates of Uttar Pradesh who wish to be teacher in their UP State. As the UPTET 2013 is going to be held in the last of June 2013,
So we can expect the UPTET Results 2013 in the starting of September or last of August 2013.
UPTET 2013 Results - UP TET Exam Result
UPTET 2013 Results - UP TET Exam Result :- Uttar Pradesh Basic Education Board and UP Govt. are responsible to conduct this exam. Official web portal for UPTET 2013 is upbasiceduboard.gov.in. Candidates are working hard for their exam as the exam date is very near. UPTET 2013 Results will be available on official website after 2 month of exam date.
Whenever declared, UPTET Results will be available on the official website : upbasiceduboard.gov.in.
We will also add the direct link here to see the UPTET Results, Once the UPTET 2013 Results are declared officially. So best of luck for your UPTET Exam. Keep visiting www.iUGC.in for latest Indian Education Updates.
Update : We came to know that UPTET 2013 Result will be available on official website upbasiceduboard.gov.in
Friday, 9 August 2013
UPTET 2013 Result
UPTET News 2013 - UPTET 2013 Exam was conducted on 27th and 28th June andUPTET 2013 Results will be declared very soon. Large number of students appeared in the UP Teachers Eligibility Test 2013 and now they are eagerly waiting for the result to be declared by the board. UPTET 2013 Result will be declared in last week of August or first week of September.
UPTET 2013 NEWS - Declaration of UPTET 2013 Result
UPTET 2013 exam was conducted at 872 centres across the state of Uttar Pradesh for which almost 6.5 lakh candidates appeared. The exam was conducted online and after a month, board is going to declare the UPTET 2013 Result. You may follow the steps mentioned below to check your UPTET Result successfully -
- Click here to go to the official website of UPTET 2013
- Click on the link that says, “UPTET 2013 Result“
- Enter your registration number/application number and date of birth
- Click on the submit button
You UPTET Result 2013 will be displayed on the screen by now. Please take a printout of your UPTET 2013 Result. Your result will display your ALL India Rank, State wise rank and category wise rank. By qualifying UPTET 2013 Exam, students will be able to apply for some teaching jobs in Government schools.
Please note that UPTET 2013 Result published on the website will not be considered as final result. A hard copy of your UPTET 2013 Scorecard will be sent to your residential address. This will be the legal document representing your origianl marks scored in UPTET 2013 Exam.
Chennai Express Review: Chen-nahin!
Chennai Express is, in a way, full
circle for that very lady as she — enervated by box-office success and
increasingly self-aware as an actress — holds up her end of the film far
better, and more consistently than her leading man. She makes an effort; he
makes faces. And he’s never seemed more at sea.
Rohit Shetty’s Chennai
Express is a curious
beast, a film it seemed would lampoon the South Indian blockbuster — those
films we claim are cheesier and sillier than our own (and then remake with much
fanfare) — but happens to be, in fact, the diametric opposite. This is, in many
ways, a full-throated tribute, a Sun TV Strikes Back statement of a film, where
a typically cliched example of Southern style masala chugs along normally (and
unironically) but is disrupted by a Bollywood actor who has no business there.
Khan’s Rahul plays the freak while the locals around him look at him dazed,
befuddled by his buffoonery.
All the other actors in this
enterprise, despite their one-note roles, conform to the universe of this film,
to its reality, but Khan’s having nothing of it. He performs in an inexplicably
bizarre pitch, as if the filmmakers (and himself, the producer) decided that he
should play it like a rejected 40s cartoon, like Daffy Duck gone awry. Khan
yelps and squeaks and shrieks and bares fangs and pouts and, well, exhausts
himself overcompensating at every step, despite nobody else in the film
following this template so inanely animated it’d make Jim Carrey think twice. A
looney out of tune, then.
It’s a shame because Chennai
Express is built on a
simple enough bit of fluff, something that would truly have sparkled brightly
in the hands of, say, an Imtiaz Ali, but something that would itself have been
inherently more entertaining had Khan not been intent on looking an imbecile.
In sum: Rahul, entrusted with his grandfather’s ashes to be immersed down
south, decides instead to hotfoot it to Goa and party with friends who have
“arranged” NRI girls. He gets on to a train to throw his sweet, unsuspecting
grandmother off his scent, and it is here he runs into Padukone’s Meena, a
pretty girl with an accent thicker than Mehmood. She’s being kidnapped, he
tries to speak up, and they’re both frogmarched down to her village where her
gangster father is told that our hero is her daughter’s suitor. There, see?
Simple, fun and the ensuing hijinks pretty much write themselves. Even with a
few too many airborne jeeps, this could have been a daftly enjoyable lark. (But
alas, we underestimate the power of a common Khan.)
Padukone, as said, pulls off
her bit with panache. So confident is she that even her outlandish accent seems
normal after a bit, and she commits to the role most enthusiastically. I’d
comment on her comic timing if this film had any well-written gags, but by
herself (and especially in comparison to her hero here) Padukone is a delight.
She’s visibly having a blast and her glee is infectious. She delivers a
Bachchan line with elan, and is particularly awesome in a scene where — in a
nod to the southern horror cliche — she’s casually possessed by a ghost. This
may not be the most demanding of roles, but the actress revels in the madness
around her and shines through like a bonafide star.
The first half of the film,
with Khan monkeying about unfettered, is relentlessly awful. (Somebody
confiscate his Steve McQueen t-shirt.) It is also ear-splittingly loud, with
everyone seemingly yelling and the background score choosing not to background
itself very much after all. The writing is bad enough to make a Priyadarshan
film look subtle. In the second half, things get less asinine — this is
directly in proportion to Khan shutting up for a stretch — but then the film
takes turns rolling through many a overused filmi cliche without ever managing
to spoof them. Shah Rukh goes from being Daffy Duck to Ram
Jaane, suddenly all melodramatic and quivery-voiced and so damned
earnest that his character forgets that he doesn’t know a word of Tamil,
climactically rattling off complicated lines in the language.
There is one genuinely clever
moment in the film. It is the one bit of self-referencing that works, when Shah
Rukh — with the Dilwale Dulhaniya Le Jaayenge music playing — stretches out his arm
and yanks Deepika onto a moving train, before doing the same, complete with
music, for each of the gigantic kidnappers chasing her. Super. For the rest of
the film, Rohit Shetty made me feel more like a lovelorn Kajol than anybody
should, and it had nothing to do with Simran: but damn, I missed Ajay Devgn.
Scariest English films of all time
The Conjuring
The Conjuring racking up
phenomenal reviews around the world, we decided to ask you, dear reader, which
English horror film scared you the most and the results are gratifyingly
diverse.
Your list contains everything from classics to current scares,
from gore to genre-defying greatness.
Here, then, in descending order, are your ten scariest films of
all time:
exorcist
William Friedkin’s 1973 classic is perhaps the most
popular film about possession and exorcism in all of cinema, and the film —
starring a young Ellen Burstyn as the possessed and Max von Sydow as the
exorcist — remains chilling.
The Ring
The Ring, based on
Japanese horror film Ringu, created a worldwide
scare in 2002. The film was about a cursed videotape that would cause the
viewer to die in seven days.
The American remake, by Gore Verbinski, was effective enough but
purists swear on the original Ringu.
Evil Dead
Sam Raimi’s Evil Dead had a group of youngsters holidaying
in a cabin and finding an audiotape that leads to demons and gore.
Wildly original, often funny and devastatingly gory, this
low-budget cult classic changed and revitalised the horror genre when it
released back in 1981
Top 5 shows on Television
Diya Aur Baati Hum
TRP: 4.5
Balika Vadhu
TRP: 3.9
Taarak Mehta Ka Ooltah Chashmah
TRP: 3.8
Qubool Hai
TRP: 3.6
Yeh Rishta Kya Kehlata Hai
TRP: 3.0
Comedy Nights with Kapil s
TRP: 3.1
RIPD (3D)-Movie Review
RATING- 3 STAR
Director:
Robert Schwentke
Cast: Jeff
Bridges, Ryan Reynolds, Kevin Bacon, Mary-Louise Parker, Stephanie Szostak,
James Hong and Marissa Miller
What do
you get when you mix MIB (Men in Black) with Steam-punk Cowboy themes and the
undead? RIPD. There’s a lot of borrowed-ness in this film. And sadly that’s not
always a good thing. This big ticket movie just looks too much like MIB. Sure
Robert Schwentke brings his characteristic vision to some scenes. But then this
thinly scripted movie doesn’t allow its director or its leads any worthy
opportunity.
The
action’s not all that bad in RIPD. You’ve got two charismatic actors – Jeff
Bridges and Ryan Reynolds on top of their game. But even then you feel there
could’ve have been so much more. The premise seems fun. A dead cop on his way
to heavenly judgment is pulled from the portal of floating dead people and put
in a police questioning room. He’s told he has the right skills to make it to
the RIPD – the Rest In Peace Department. The perk is, he postpones his judgment
day and goes back to earth to apprehend on the run dead folks. He’s partnered
with a cowboy cop who’s been serving at RIPD since its inception. They make an
unlikely team and that’s where the action begins.
Action
comedies are generally tricky territory. While director Schwentke pulled off
his last endeavor in the genre, Red with aplomb. This time he succumbs to
working on a template. The movie looks and feels like it’s gearing for this big
bang end. And even when the much-anticipated climax arrives it doesn’t quite
hold your attention. Kevin Bacon plays the bad guy and all through the film
creates a sense of mystery about his motives. But in the end his menace turns
out to be anti-climactic. Come on! A guy who’s spent five years fooling
everyone in living and dead Boston can do better than rely on a human shield as
his final plan.
Ditto
sentiments for Jeff Bridges and Ryan Reynolds. Bridges looks like he’s
repeating his Rooster Cogburn act from True Grit (2010). He’s funny on
occasions but it looks all too familiar when he’s not being trigger happy and
fighting the bad guys. Reynolds too looks like he’s still borrowing notes from
Hal Jordon in Green Lantern and Matt Weston in Safe House. But what’s truly funny
is that Bridges and Reynolds have avatars when they get back to Earth. So that
people may not recognize them, Bridges has the identity of a super-hot blonde
played by Marissa Miller and Reynolds is an old chinese man played by James
Hong.
The Conjuring-Movie Review
The Conjuring
RATING- 4 STAR
Director:
James Wan
Cast:
Patrick Wilson, Vera Farmiga, Lili Taylor, Ron Livingston and Kyla Deaver
Take a
picture perfect American family – a young father, a doting mother and their
five young daughters. Put them in an old country house. Wait for it to get
dark. And then let the madness begin. The Conjuring is a formulaic horror film
but it employs almost every genre trick with great sense of terror. You might
have seen scary movies in your lifetime. But you haven’t seen one this terrifying
and action packed. Its artistic nature ends with its production design. But its
true spirit lies in the fact that it will make you jump in your chair, not once
but continuously through its two hour run-time.
James Wan
paces the film to perfection. It starts off with paranormal investigators Ed
and Lorraine Warren explaining their case studies to an audience. It’s over
there that you’re introduced to the movie’s first horror motif, a possessed
doll named Annabelle. The action cuts to the Perron family moving into their
new country home. And you know the place is sinister when the Border Collie
refuses to enter the house. Only to be found dead in the morning. And if you
ever played Hide and Seek with you siblings in a big house, be prepared to add
some nightmarish experiences to those memories. The hide and seek game with
claps in The Conjuring is hair-raising alright. One the best scene in film is
when Carolyn Perron (the mother in the Perron household) is forced to play hide
and seek in the cellar. Goose-flesh guaranteed.
The first
half of the film sets the mood and tone. It’s slow and it creates the right
sense of ambiance for the second half where things kick into supernatural
overdrive. At all times you will feel a sense of dread exuding from the screen.
And yet the thrills don’t feel cheap because the characters enduring the horror
are so real. The Perrons are quite simply looking for a bigger and more
comfortable home. But their bargain ends in a nightmare and feel hard for the
young girls who’re subjected to the grudge of a witch and her haunted spirit
posse. The Warrens on the other hand are the rationale of the story. They
believe in the supernatural but only when science runs out of explanations. So
when they come to the Perron household rescue you have added drama. Ed (Patrick
Wilson) brings a strong sense of logic while his clairvoyant wife Lorraine
(Vera Farmiga) brings the right amount of mysticism.
Put
together you have enough human emotion to believe the horror in every haunting.
After watching The Conjuring you might ask so what was new? The answer is
‘nothing’. But the fact is. Despite being an old-school formula-driven spook
fest, this film scares the bejesus out of you. In an age when the horror genre
is doling out so many lackluster movies, this superbly crafted James Wan film
delivers the goods with gusto. Go watch and dig in to the arm rests. Wan might
as well put a ‘money back guarantee’ on this one.
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Thursday, 1 August 2013
Monday, 29 July 2013
Pacific Rim (IMAX 3D)-Movie Review
Director: Guillermo Del Toro
Cast: Charlie Hunnam, Idris Elba, Rinko Kikuchi, Charlie Day and Ron Perlman
In the
early ’90s Doordarshan used to air a dubbed Japanese program called Giant
Robot. It featured a small boy controlling a gigantic grey robot and fighting
off a terrorist organisation called the Gargoyle Gang. A decade later DD Metro
and Nickelodeon brought the Power Rangers to Indian TV. Add to that the
influence of Transformers (both TV series and Michael Bay movies) and you have
half your reason why Guillermo Del Toro’s Pacific Rim should be watched. The
other half is giant monsters; the kind we’ve seen in Godzilla, King Kong etc.
Now picture a giant robot exchanging blows with Godzilla. Only it’s not
unfolding in the form of men in rubber suits on plastic city sets. It’s 2013
and state-of-art CGI has allowed Del Toro to breathe life into ultimate fan boy
material. The mounting, the scale of his film makes Bay’s Transformers and Zack
Snyder’s Man Of Steel seem like indie productions. If you’ve ever wondered what
an IMAX action movie is capable of, you need to watch Pacific Rim.
The
premise is really that simple. Giant robots versus giant monsters. Only the
monsters spawn in the Pacific Ocean where aliens have created a portal from
their world. So Godzilla wasn’t mutated by some toxic dump in the sea. It was
bred in a factory on another world and sent here to kill vermin, that’d be
humans. When you have a house pest the size of skyscrapers you need some
serious squatting power. So the Jaegers are born. They’re giant mechanical
robots piloted by two people and they have but one mission: to kill Kaijus
(Japanese name for giant mythical monsters). If Pacific Rim sounds like a new
comic book press release resource, fact is it is just that. This is ultimate movie
mythology.
As
cheesy and inconsequential as it sounds, that is the strength of this film.
There’s no real Dark Knight-like soul in this action epic. But it makes up with
relentless and unbound action. If you watch movies to be wowed or to extend the
limits of how far your jaw can drop, this is it. There are about half a dozen
action set pieces mounted on a scale that will inspire you.
There’s
a difference between Pacific Rim and you’re average Hollywood big ticket action
blockbuster. And that difference is Del Toro’s vision. He pauses on the action
to sneak in shots that impress you. For example, a Jaeger’s misdirected punch
is tearing through a building and reaches till an office desk where it gently
rams a Chinese pendulum show piece setting it into motion. In isolation these
descriptions sound vague but when you watch these scenes on the big screen you
really marvel at the director’s ingenuity.
Del
Toro takes a logical approach at telling his cheesy tale. If you’re wondering
why make mechanical monsters who are like Gods of destruction? Or why pilot
them physically in an age when the US army can control drones from thousands of
miles? The movie will address these logical scenarios to sufficient effect. It
will take some liberties of its own but by and large it will transport you to a
world where levelling a 100 storey building in one punch will become your
definition of cool.
There
are physical performances by human actors as well. Charlie Hunnam is the hero,
Rinko Kikuchi is his co pilot and Idris Elba is a tough as nails general. They
bring in the necessary amount of human drama. Ron Perlman characteristically
brings in his brand of surreal comedy. And it all compliments the megaton CGI
load to a large extent.
If
you’ve ever been a fan of Japanese mecha anime like Mobile Suit Gundam or
Evangelion this movie will shake up your world. But if you missed the
Doordarshan telecasts of Giant Robot and Power Rangers this movie will show you
a whole new world. This is 180 million dollars well spent. This is EPIC action
at its best.
"I'm not happy that Ranbir and I are not friends" - Rishi Kapoor
Intimidating
is how most people describe him. As he stands there, issuing orders brusquely,
he sure looks daunting. We’re doing a shoot with him at Mehboob Studio and my
young colleagues are scurrying for cover. But 10 minutes with Rishi Kapoor and
you know all the bluster is just a defense mechanism. In fact, if he’s gruffy,
it’s a sign that he likes you. It’s when he’s polite that you need to worry. He
laughs, “That’s my nature. People who know me accept me, people who don’t know
me find me intimidating. Later they realise what I’m all about. If I throw
my weight around, it’s my pyaar ka nature, the way I am. I’m the same at home
with my kids and wife. I don’t mean anything.” Sure enough my colleagues are
singing his praise within minutes. Adorable, delightful, is how the girls refer
to him.
Professionally,
things couldn’t be better for the veteran. He’s like a mall. A one point
shopping centre for filmmakers. You want someone to play a mean guy? He’s the
man. You want someone to play a gay principal? He’s the one. You want someone
with comic timing? You want an underworld don? Yes you’re right. He’s the one.
Of late, he has embodied one volcanic character after another, serving up equal
helpings of intensity in action and emotion.
It’s a
joy talking to Rishi Kapoor. He says it like it is. No mincing words. Whether
it’s his less than friendly relationship with his son Ranbir Kapoor, Ranbir’s
Casanova image or speculations about his marriage, he answers with a rare
candour. Over chilled chaas and Perrier water, I ask him:
SRK do a role similar to George Clooney
According to sources Shah
Rukh Khan's character in Farah Khan's Happy New Year has some similar traits to
that of George Clooney's character in Ocean's Eleven. Shah Rukh is going to
spot a mature look and will also keep his hair longer than usual. While Ocean's
Eleven is about a heist, Happy New Year is said to be about a dance
competition. It is quite amusing that only a month is left for the film to hit
the floors, Farah has not yet finalsed her leading lady. Is it some kind of
surprise Farah is planning? We wait to see.
Issaq-Movie Review
Cast: Prateik Babbar, Amyra Dastur, Rajeshwari Sachdev and Ravi Kissen
Shakespeare’s
immortal play Romeo and Juliet, which is about star-crossed lovers falling prey
to destiny has been fodder for film plots since eons. One of the best
adaptations is Mansoor Khan’s Qayamat Se Qayamat Tak (1988), where a young
Aamir Khan and Juhi Chawla play scions of warring families and get united in
death in the end. Ishaqzaade (2012) directed by Habib Faisal comes a close
second.
Manish
Tiwary, in comparison falls flat in his adaptation. He does get some
things right. The Benaras milieu is spot on and so is the fact that certain
clans in UP do have small armies at their disposal and carrying guns is a sign
of masculinity. The chemistry between the cloistered girl and the brash boy is
about right too. Prateik tries hard to be the cool gangsta type who doesn’t
know how to react when true love hits him. Amyra Dastur as the impressionable
collegian who at first shies like a startled colt in the face of love and
slowly lets love ride her.
Rajeshwari
Sachdev (the scene when she’s applying haldi to Amyra and her expressions
change from vengeful to sympathetic is one of the plus points of the film) and
Ravi Kissen, who have their own illicit love story going in the film, up the
ante with their impactful performances. But its not a good thing when the
supporting cast steals the thunder away from the leads.
The
screenplay and editing are downright shoddy. You know the story so you want the
lovers to end it all soon. It speaks volumes about a film’s quality when you’re
looking forward to the death of lead protagonists.
All-in-all,
Issaq is a good idea poorly executed. Shakespeare must be smarting in his
grave.
Sunday, 28 July 2013
ctet july 2013 answer key download
DOWNLOAD CTET JULY 2013 ANSWER KEY FROM HERE....
http://www.onlineteachers.co.in/download-section/viewcategory/20-ctet-answer-key-question-papers
http://www.onlineteachers.co.in/download-section/viewcategory/20-ctet-answer-key-question-papers
ctet july 2013 answer key
| Central Board of Secondary Education has been conducted CTET (Central Teacher Eligibility Test 2013) successfully on 28 July 2013. You will be able to download the ctet 2013 answer key with question paper in Hindi and English both medium. The ctet 2013 question papers will be uploaded by ctet.nic.in as soon as before next ctet examination started in November 2013. Answer key will be available soon on the site, before it you can subscribe your email for future correspondence about answer key of CTET July 2013 exam. CBSE CTET Answer Key 2013: </b>Answer key will published on the site www.ctet.nic.in, and if you want to download the answer key then follow the steps which has been posted at the bottom of the post. Answer key will available for all subjects and all set. You can also download the answer key as set wise like Paper 1 Set E, Paper 1 Set F, Paper 1 Set G, and Paper 1 Set H & also for Paper 2 Set W, Paper 2 Set X, Paper 2 Set Y, and Paper 2 Set Z. In this examination subject are very common as other teacher eligibility test like Child Development and Pedagogy, Mathematics, Environment Studies, Language I – English, Language I – English Hindi, Language II – English, Language I – English Hindi, and Social Science. CTET Cut off</i> marks depends on the student performance in examination. It will be high or low. CBSE will declare the result of ctet soon. Answer sheet will be available soon in PDF format, download the answer key and open in PDF reader. Step wise details of ctet answer key 2013; first of all go to the site www.ctet.nic.in, click on answer key link (will be appears soon), selection subject and download answer key officially. Link to visit ctet site posted at the bottom, direct link for CTET July 2013 exam is ctet.nic.in This entry was posted in Answer Key and tagged ctet, ctet 2013, ctet 2013 answer key, ctet 2013 answer sheet, ctet 2013 paper 1 answer key, ctet 2013 paper 2 answer key, ctet 2013 solved answer sheet, ctet 28 july 2013 answer key, ctet 28 july answer key, ctet answer key, ctet answer key 2013, ctet answer sheet, ctet answer sheet 2013, ctet exam answer key, ctet july 2013 answer key, ctet july answer key, ctet paper 1 answer key, ctet paper 1 answer key 2013, ctet paper 2 answer key, ctet paper 2 answer key 2013, ctet question answers 2013, www.ctet.nic.in on July 28, 2013. |
Saturday, 27 July 2013
The Wolverine - Movie Review, Readers Feedback
After
the release of Red 2 and Turbo last week, here is another film based on a comic
book character. For the uninitiated, The Wolverine is a 'ronin' mutant
superhero with metallic claws rising from his knuckles. He often appears as an
associate of the X-Men. This film is a pure pulp fiction based on the 1982
limited series on the character's exploits in Japan. Though the film connects
and refers to various past X-Men films, this one is no sequel. It has a
consolidated story by itself and the past references beautifully merge with the
present tale on its own.
The narration begins with two snippets. The first:
Logan's act of protecting a Japanese soldier and their survival during the
holocaust at a Japanese POW camp on the outskirts of Nagasaki, during World War
II. And the second, his nightmares of having killed the love of his life, Jean
Grey, and he swearing not to lead a violent life. After establishing the back
story, the film rolls with an unkempt Logan leading a passive life in the Yukon
wilds, occasionally losing his temper, when he sees sport hunters killing wild
bears for amusement. It is during his stay at the Yukon wilds that a red-haired
mysterious woman, Yukio, surfaces to inform him that he is summoned to Japan by
a dying millionaire, Mr. Yashida. Ironically, Mr. Yashida is the Japanese
soldier whose life Logan had saved in Nagasaki. Hence, he complies with the
request and travels to Japan. Continue to read the story and movie review of
The Wolverine in the slideshow.
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