CTET 2013 JULY ANSWER KEY

CHECK CTET 2013 OFFICIAL ANSWER KEY HERE......


http://ctet.nic.in/ctetjuly2013/welcome.aspx

UPTET 2013 RESULT

UPTET 2013 RESULT DECLARED . PLZ CHECK RESULT IN BELOW LINK

http://upbasiceduboard.gov.in/tet_regno.aspx

UPTET 2013 Result upbasiceduboard.gov.in UPTET Results 2013

UPTET Results 2013 upbasiceduboard.gov.in Official Website UPTET June Exam Result Link / Utter Pradesh Teacher Eligibility Test 2013 Results. UPTET 2013 Result : Utter Pradesh Teacher Eligibility Test for this year is going to be conducted on 27 June and 28 June 2013 by Uttar Pradesh Basic Education Board and UP Govt. A lot of centers have been organized to keep candidate's facility in mind. This exam is conducted every year for graduated candidates of Uttar Pradesh who wish to be teacher in their UP State. As the UPTET 2013 is going to be held in the last of June 2013, 

So we can expect the UPTET Results 2013 in the starting of September or last of August 2013. UPTET 2013 Results - UP TET Exam Result UPTET 2013 Results - UP TET Exam Result :- Uttar Pradesh Basic Education Board and UP Govt. are responsible to conduct this exam. Official web portal for UPTET 2013 is upbasiceduboard.gov.in. Candidates are working hard for their exam as the exam date is very near. UPTET 2013 Results will be available on official website after 2 month of exam date. Whenever declared, UPTET Results will be available on the official website : upbasiceduboard.gov.in. 

We will also add the direct link here to see the UPTET Results, Once the UPTET 2013 Results are declared officially. So best of luck for your UPTET Exam. Keep visiting www.iUGC.in for latest Indian Education Updates. Update : We came to know that UPTET 2013 Result will be available on official website upbasiceduboard.gov.in

UPTET 2013 Result

UPTET News 2013 - UPTET 2013 Exam was conducted on 27th and 28th June andUPTET 2013 Results will be declared very soon. Large number of students appeared in the UP Teachers Eligibility Test 2013 and now they are eagerly waiting for the result to be declared by the board. UPTET 2013 Result will be declared in last week of August or first week of September.

UPTET 2013 NEWS - Declaration of UPTET 2013 Result

UPTET 2013 exam was conducted at 872 centres across the state of Uttar Pradesh for which almost 6.5 lakh candidates appeared. The exam was conducted online and after a month, board is going to declare the UPTET 2013 Result. You may follow the steps mentioned below to check your UPTET Result successfully -

• Click here to go to the official website of UPTET 2013
• Click on the link that says, “UPTET 2013 Result“
• Enter your registration number/application number and date of birth
• Click on the submit button

You UPTET Result 2013 will be displayed on the screen by now. Please take a printout of your UPTET 2013 Result. Your result will display your ALL India Rank, State wise rank and category wise rank. By qualifying UPTET 2013 Exam, students will be able to apply for some teaching jobs in Government schools.

Please note that UPTET 2013 Result published on the website will not be considered as final result. A hard copy of your UPTET 2013 Scorecard will be sent to your residential address. This will be the legal document representing your origianl marks scored in UPTET 2013 Exam.

Chennai Express Review: Chen-nahin!

Chennai Express is, in a way, full circle for that very lady as she — enervated by box-office success and increasingly self-aware as an actress — holds up her end of the film far better, and more consistently than her leading man. She makes an effort; he makes faces. And he’s never seemed more at sea.

Rohit Shetty’s Chennai Express is a curious beast, a film it seemed would lampoon the South Indian blockbuster — those films we claim are cheesier and sillier than our own (and then remake with much fanfare) — but happens to be, in fact, the diametric opposite. This is, in many ways, a full-throated tribute, a Sun TV Strikes Back statement of a film, where a typically cliched example of Southern style masala chugs along normally (and unironically) but is disrupted by a Bollywood actor who has no business there. Khan’s Rahul plays the freak while the locals around him look at him dazed, befuddled by his buffoonery.

All the other actors in this enterprise, despite their one-note roles, conform to the universe of this film, to its reality, but Khan’s having nothing of it. He performs in an inexplicably bizarre pitch, as if the filmmakers (and himself, the producer) decided that he should play it like a rejected 40s cartoon, like Daffy Duck gone awry. Khan yelps and squeaks and shrieks and bares fangs and pouts and, well, exhausts himself overcompensating at every step, despite nobody else in the film following this template so inanely animated it’d make Jim Carrey think twice. A looney out of tune, then.

It’s a shame because Chennai Express is built on a simple enough bit of fluff, something that would truly have sparkled brightly in the hands of, say, an Imtiaz Ali, but something that would itself have been inherently more entertaining had Khan not been intent on looking an imbecile. In sum: Rahul, entrusted with his grandfather’s ashes to be immersed down south, decides instead to hotfoot it to Goa and party with friends who have “arranged” NRI girls. He gets on to a train to throw his sweet, unsuspecting grandmother off his scent, and it is here he runs into Padukone’s Meena, a pretty girl with an accent thicker than Mehmood. She’s being kidnapped, he tries to speak up, and they’re both frogmarched down to her village where her gangster father is told that our hero is her daughter’s suitor. There, see? Simple, fun and the ensuing hijinks pretty much write themselves. Even with a few too many airborne jeeps, this could have been a daftly enjoyable lark. (But alas, we underestimate the power of a common Khan.)

Padukone, as said, pulls off her bit with panache. So confident is she that even her outlandish accent seems normal after a bit, and she commits to the role most enthusiastically. I’d comment on her comic timing if this film had any well-written gags, but by herself (and especially in comparison to her hero here) Padukone is a delight. She’s visibly having a blast and her glee is infectious. She delivers a Bachchan line with elan, and is particularly awesome in a scene where — in a nod to the southern horror cliche — she’s casually possessed by a ghost. This may not be the most demanding of roles, but the actress revels in the madness around her and shines through like a bonafide star.

The first half of the film, with Khan monkeying about unfettered, is relentlessly awful. (Somebody confiscate his Steve McQueen t-shirt.) It is also ear-splittingly loud, with everyone seemingly yelling and the background score choosing not to background itself very much after all. The writing is bad enough to make a Priyadarshan film look subtle. In the second half, things get less asinine — this is directly in proportion to Khan shutting up for a stretch — but then the film takes turns rolling through many a overused filmi cliche without ever managing to spoof them. Shah Rukh goes from being Daffy Duck to Ram Jaane, suddenly all melodramatic and quivery-voiced and so damned earnest that his character forgets that he doesn’t know a word of Tamil, climactically rattling off complicated lines in the language.

There is one genuinely clever moment in the film. It is the one bit of self-referencing that works, when Shah Rukh — with the Dilwale Dulhaniya Le Jaayenge music playing — stretches out his arm and yanks Deepika onto a moving train, before doing the same, complete with music, for each of the gigantic kidnappers chasing her. Super. For the rest of the film, Rohit Shetty made me feel more like a lovelorn Kajol than anybody should, and it had nothing to do with Simran: but damn, I missed Ajay Devgn.

Scariest English films of all time

The Conjuring

The Conjuring racking up phenomenal reviews around the world, we decided to ask you, dear reader, which English horror film scared you the most and the results are gratifyingly diverse.

Your list contains everything from classics to current scares, from gore to genre-defying greatness.

Here, then, in descending order, are your ten scariest films of all time:

exorcist 

William Friedkin’s 1973 classic is perhaps the most popular film about possession and exorcism in all of cinema, and the film — starring a young Ellen Burstyn as the possessed and Max von Sydow as the exorcist — remains chilling.

 The Ring

The Ring, based on Japanese horror film Ringu, created a worldwide scare in 2002. The film was about a cursed videotape that would cause the viewer to die in seven days.

The American remake, by Gore Verbinski, was effective enough but purists swear on the original Ringu. 

 Evil Dead 

Sam Raimi’s Evil Dead had a group of youngsters holidaying in a cabin and finding an audiotape that leads to demons and gore.

Wildly original, often funny and devastatingly gory, this low-budget cult classic changed and revitalised the horror genre when it released back in 1981

Top 5 shows on Television

Diya Aur Baati Hum

TRP: 4.5

Balika Vadhu

TRP: 3.9

Taarak Mehta Ka Ooltah Chashmah

TRP: 3.8

Qubool Hai

TRP: 3.6

Yeh Rishta Kya Kehlata Hai

TRP: 3.0

Comedy Nights with Kapil s

TRP: 3.1

Tags: Top 5 TV Shows, Best TV Shows, TV Shows

RIPD (3D)-Movie Review

RATING- 3 STAR

Director: Robert Schwentke

Cast: Jeff Bridges, Ryan Reynolds, Kevin Bacon, Mary-Louise Parker, Stephanie Szostak, James Hong and Marissa Miller

What do you get when you mix MIB (Men in Black) with Steam-punk Cowboy themes and the undead? RIPD. There’s a lot of borrowed-ness in this film. And sadly that’s not always a good thing. This big ticket movie just looks too much like MIB. Sure Robert Schwentke brings his characteristic vision to some scenes. But then this thinly scripted movie doesn’t allow its director or its leads any worthy opportunity.

The action’s not all that bad in RIPD. You’ve got two charismatic actors – Jeff Bridges and Ryan Reynolds on top of their game. But even then you feel there could’ve have been so much more. The premise seems fun. A dead cop on his way to heavenly judgment is pulled from the portal of floating dead people and put in a police questioning room. He’s told he has the right skills to make it to the RIPD – the Rest In Peace Department. The perk is, he postpones his judgment day and goes back to earth to apprehend on the run dead folks. He’s partnered with a cowboy cop who’s been serving at RIPD since its inception. They make an unlikely team and that’s where the action begins.

Action comedies are generally tricky territory. While director Schwentke pulled off his last endeavor in the genre, Red with aplomb. This time he succumbs to working on a template. The movie looks and feels like it’s gearing for this big bang end. And even when the much-anticipated climax arrives it doesn’t quite hold your attention. Kevin Bacon plays the bad guy and all through the film creates a sense of mystery about his motives. But in the end his menace turns out to be anti-climactic. Come on! A guy who’s spent five years fooling everyone in living and dead Boston can do better than rely on a human shield as his final plan.

Ditto sentiments for Jeff Bridges and Ryan Reynolds. Bridges looks like he’s repeating his Rooster Cogburn act from True Grit (2010). He’s funny on occasions but it looks all too familiar when he’s not being trigger happy and fighting the bad guys. Reynolds too looks like he’s still borrowing notes from Hal Jordon in Green Lantern and Matt Weston in Safe House. But what’s truly funny is that Bridges and Reynolds have avatars when they get back to Earth. So that people may not recognize them, Bridges has the identity of a super-hot blonde played by Marissa Miller and Reynolds is an old chinese man played by James Hong.

The Conjuring-Movie Review

The Conjuring

RATING- 4 STAR

Director: James Wan

Cast: Patrick Wilson, Vera Farmiga, Lili Taylor, Ron Livingston and Kyla Deaver

Take a picture perfect American family – a young father, a doting mother and their five young daughters. Put them in an old country house. Wait for it to get dark. And then let the madness begin. The Conjuring is a formulaic horror film but it employs almost every genre trick with great sense of terror. You might have seen scary movies in your lifetime. But you haven’t seen one this terrifying and action packed. Its artistic nature ends with its production design. But its true spirit lies in the fact that it will make you jump in your chair, not once but continuously through its two hour run-time.  

James Wan paces the film to perfection. It starts off with paranormal investigators Ed and Lorraine Warren explaining their case studies to an audience. It’s over there that you’re introduced to the movie’s first horror motif, a possessed doll named Annabelle. The action cuts to the Perron family moving into their new country home. And you know the place is sinister when the Border Collie refuses to enter the house. Only to be found dead in the morning. And if you ever played Hide and Seek with you siblings in a big house, be prepared to add some nightmarish experiences to those memories. The hide and seek game with claps in The Conjuring is hair-raising alright. One the best scene in film is when Carolyn Perron (the mother in the Perron household) is forced to play hide and seek in the cellar. Goose-flesh guaranteed.

The first half of the film sets the mood and tone. It’s slow and it creates the right sense of ambiance for the second half where things kick into supernatural overdrive. At all times you will feel a sense of dread exuding from the screen. And yet the thrills don’t feel cheap because the characters enduring the horror are so real. The Perrons are quite simply looking for a bigger and more comfortable home. But their bargain ends in a nightmare and feel hard for the young girls who’re subjected to the grudge of a witch and her haunted spirit posse. The Warrens on the other hand are the rationale of the story. They believe in the supernatural but only when science runs out of explanations. So when they come to the Perron household rescue you have added drama. Ed (Patrick Wilson) brings a strong sense of logic while his clairvoyant wife Lorraine (Vera Farmiga) brings the right amount of mysticism.

Put together you have enough human emotion to believe the horror in every haunting. After watching The Conjuring you might ask so what was new? The answer is ‘nothing’. But the fact is. Despite being an old-school formula-driven spook fest, this film scares the bejesus out of you. In an age when the horror genre is doling out so many lackluster movies, this superbly crafted James Wan film delivers the goods with gusto. Go watch and dig in to the arm rests. Wan might as well put a ‘money back guarantee’ on this one. 

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Besharam Movie Trailer