Pacific Rim (IMAX 3D)-Movie Review

Director: Guillermo Del Toro

Cast: Charlie Hunnam, Idris Elba, Rinko Kikuchi, Charlie Day and Ron Perlman


In the early ’90s Doordarshan used to air a dubbed Japanese program called Giant Robot. It featured a small boy controlling a gigantic grey robot and fighting off a terrorist organisation called the Gargoyle Gang. A decade later DD Metro and Nickelodeon brought the Power Rangers to Indian TV. Add to that the influence of Transformers (both TV series and Michael Bay movies) and you have half your reason why Guillermo Del Toro’s Pacific Rim should be watched. The other half is giant monsters; the kind we’ve seen in Godzilla, King Kong etc. Now picture a giant robot exchanging blows with Godzilla. Only it’s not unfolding in the form of men in rubber suits on plastic city sets. It’s 2013 and state-of-art CGI has allowed Del Toro to breathe life into ultimate fan boy material. The mounting, the scale of his film makes Bay’s Transformers and Zack Snyder’s Man Of Steel seem like indie productions. If you’ve ever wondered what an IMAX action movie is capable of, you need to watch Pacific Rim.

The premise is really that simple. Giant robots versus giant monsters. Only the monsters spawn in the Pacific Ocean where aliens have created a portal from their world. So Godzilla wasn’t mutated by some toxic dump in the sea. It was bred in a factory on another world and sent here to kill vermin, that’d be humans. When you have a house pest the size of skyscrapers you need some serious squatting power. So the Jaegers are born. They’re giant mechanical robots piloted by two people and they have but one mission: to kill Kaijus (Japanese name for giant mythical monsters). If Pacific Rim sounds like a new comic book press release resource, fact is it is just that. This is ultimate movie mythology.

As cheesy and inconsequential as it sounds, that is the strength of this film. There’s no real Dark Knight-like soul in this action epic. But it makes up with relentless and unbound action. If you watch movies to be wowed or to extend the limits of how far your jaw can drop, this is it. There are about half a dozen action set pieces mounted on a scale that will inspire you.

There’s a difference between Pacific Rim and you’re average Hollywood big ticket action blockbuster. And that difference is Del Toro’s vision. He pauses on the action to sneak in shots that impress you. For example, a Jaeger’s misdirected punch is tearing through a building and reaches till an office desk where it gently rams a Chinese pendulum show piece setting it into motion. In isolation these descriptions sound vague but when you watch these scenes on the big screen you really marvel at the director’s ingenuity.

Del Toro takes a logical approach at telling his cheesy tale. If you’re wondering why make mechanical monsters who are like Gods of destruction? Or why pilot them physically in an age when the US army can control drones from thousands of miles? The movie will address these logical scenarios to sufficient effect. It will take some liberties of its own but by and large it will transport you to a world where levelling a 100 storey building in one punch will become your definition of cool.

There are physical performances by human actors as well. Charlie Hunnam is the hero, Rinko Kikuchi is his co pilot and Idris Elba is a tough as nails general. They bring in the necessary amount of human drama. Ron Perlman characteristically brings in his brand of surreal comedy. And it all compliments the megaton CGI load to a large extent. 

If you’ve ever been a fan of Japanese mecha anime like Mobile Suit Gundam or Evangelion this movie will shake up your world. But if you missed the Doordarshan telecasts of Giant Robot and Power Rangers this movie will show you a whole new world. This is 180 million dollars well spent. This is EPIC action at its best.

"I'm not happy that Ranbir and I are not friends" - Rishi Kapoor

Intimidating is how most people describe him. As he stands there, issuing orders brusquely, he sure looks daunting. We’re doing a shoot with him at Mehboob Studio and my young colleagues are scurrying for cover. But 10 minutes with Rishi Kapoor and you know all the bluster is just a defense mechanism. In fact, if he’s gruffy, it’s a sign that he likes you. It’s when he’s polite that you need to worry. He laughs, “That’s my nature. People who know me accept me, people who don’t know me find me intimidating. Later they realise what I’m all about. If I throw my weight around, it’s my pyaar ka nature, the way I am. I’m the same at home with my kids and wife. I don’t mean anything.” Sure enough my colleagues are singing his praise within minutes. Adorable, delightful, is how the girls refer to him. 

Professionally, things couldn’t be better for the veteran. He’s like a mall. A one point shopping centre for filmmakers. You want someone to play a mean guy? He’s the man. You want someone to play a gay principal? He’s the one. You want someone with comic timing? You want an underworld don? Yes you’re right. He’s the one. Of late, he has embodied one volcanic character after another, serving up equal helpings of intensity in action and emotion.
It’s a joy talking to Rishi Kapoor. He says it like it is. No mincing words. Whether it’s his less than friendly relationship with his son Ranbir Kapoor, Ranbir’s Casanova image or speculations about his marriage, he answers with a rare candour. Over chilled chaas and Perrier water, I ask him: 

 

SRK do a role similar to George Clooney

According to sources Shah Rukh Khan's character in Farah Khan's Happy New Year has some similar traits to that of George Clooney's character in Ocean's Eleven. Shah Rukh is going to spot a mature look and will also keep his hair longer than usual. While Ocean's Eleven is about a heist, Happy New Year is said to be about a dance competition. It is quite amusing that only a month is left for the film to hit the floors, Farah has not yet finalsed her leading lady. Is it some kind of surprise Farah is planning? We wait to see.

Official trailer of Mickey Virus

Issaq-Movie Review

Cast: Prateik Babbar, Amyra Dastur, Rajeshwari Sachdev and Ravi Kissen

Shakespeare’s immortal play Romeo and Juliet, which is about star-crossed lovers falling prey to destiny has been fodder for film plots since eons. One of the best adaptations is Mansoor Khan’s Qayamat Se Qayamat Tak (1988), where a young Aamir Khan and Juhi Chawla play scions of warring families and get united in death in the end. Ishaqzaade (2012) directed by Habib Faisal comes a close second.

Manish Tiwary, in comparison  falls flat in his adaptation. He does get some things right. The Benaras milieu is spot on and so is the fact that certain clans in UP do have small armies at their disposal and carrying guns is a sign of masculinity. The chemistry between the cloistered girl and the brash boy is about right too. Prateik tries hard to be the cool gangsta type who doesn’t know how to react when true love hits him. Amyra Dastur as the impressionable collegian who at first shies like a startled colt in the face of love and slowly lets love ride her.

Rajeshwari Sachdev (the scene when she’s applying haldi to Amyra and her expressions change from vengeful to sympathetic is one of the plus points of the film) and Ravi Kissen, who have their own illicit love story going in the film, up the ante with their impactful performances. But its not a good thing when the supporting cast steals the thunder away from the leads.

The screenplay and editing are downright shoddy. You know the story so you want the lovers to end it all soon. It speaks volumes about a film’s quality when you’re looking forward to the death of lead protagonists.

All-in-all, Issaq is a good idea poorly executed. Shakespeare must be smarting in his grave.

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Central Board of Secondary Education has been conducted CTET (Central Teacher Eligibility Test 2013) successfully on 28 July 2013. You will be able to download the ctet 2013 answer key with question paper in Hindi and English both medium. The ctet 2013 question papers will be uploaded by ctet.nic.in as soon as before next ctet examination started in November 2013. Answer key will be available soon on the site, before it you can subscribe your email for future correspondence about answer key of CTET July 2013 exam. CBSE CTET Answer Key 2013: </b>Answer key will published on the site www.ctet.nic.in, and if you want to download the answer key then follow the steps which has been posted at the bottom of the post. Answer key will available for all subjects and all set. You can also download the answer key as set wise like Paper 1 Set E, Paper 1 Set F, Paper 1 Set G, and Paper 1 Set H &amp; also for Paper 2 Set W, Paper 2 Set X, Paper 2 Set Y, and Paper 2 Set Z. In this examination subject are very common as other teacher eligibility test like Child Development and Pedagogy, Mathematics, Environment Studies, Language I &#8211; English, Language I &#8211; English Hindi, Language II &#8211; English, Language I &#8211; English Hindi, and Social Science. CTET Cut off</i> marks depends on the student performance in examination. It will be high or low. CBSE will declare the result of ctet soon. Answer sheet will be available soon in PDF format, download the answer key and open in PDF reader. Step wise details of ctet answer key 2013; first of all go to the site www.ctet.nic.in, click on answer key link (will be appears soon), selection subject and download answer key officially. Link to visit ctet site posted at the bottom, direct link for CTET July 2013 exam is ctet.nic.in This entry was posted in Answer Key and tagged ctet, ctet 2013, ctet 2013 answer key, ctet 2013 answer sheet, ctet 2013 paper 1 answer key, ctet 2013 paper 2 answer key, ctet 2013 solved answer sheet, ctet 28 july 2013 answer key, ctet 28 july answer key, ctet answer key, ctet answer key 2013, ctet answer sheet, ctet answer sheet 2013, ctet exam answer key, ctet july 2013 answer key, ctet july answer key, ctet paper 1 answer key, ctet paper 1 answer key 2013, ctet paper 2 answer key, ctet paper 2 answer key 2013, ctet question answers 2013, www.ctet.nic.in on July 28, 2013.

The Wolverine - Movie Review, Readers Feedback

After the release of Red 2 and Turbo last week, here is another film based on a comic book character. For the uninitiated, The Wolverine is a 'ronin' mutant superhero with metallic claws rising from his knuckles. He often appears as an associate of the X-Men. This film is a pure pulp fiction based on the 1982 limited series on the character's exploits in Japan. Though the film connects and refers to various past X-Men films, this one is no sequel. It has a consolidated story by itself and the past references beautifully merge with the present tale on its own. 

The narration begins with two snippets. The first: Logan's act of protecting a Japanese soldier and their survival during the holocaust at a Japanese POW camp on the outskirts of Nagasaki, during World War II. And the second, his nightmares of having killed the love of his life, Jean Grey, and he swearing not to lead a violent life. After establishing the back story, the film rolls with an unkempt Logan leading a passive life in the Yukon wilds, occasionally losing his temper, when he sees sport hunters killing wild bears for amusement. It is during his stay at the Yukon wilds that a red-haired mysterious woman, Yukio, surfaces to inform him that he is summoned to Japan by a dying millionaire, Mr. Yashida. Ironically, Mr. Yashida is the Japanese soldier whose life Logan had saved in Nagasaki. Hence, he complies with the request and travels to Japan. Continue to read the story and movie review of The Wolverine in the slideshow. 

India Bridal Fashion Week 2013

Box-Office FULL With 11 Releases Today

The box-office is flooded with 11 releases today, July 27. From the erotic thriller Nasha to a laughter riot Bajatey Raho, audiences have a wide range of options for the coming weekend. Interestingly, most of these releases are mid budget films. Poonam Pandey's debut has already grabbed eyeballs for it's bold posters and trailers. Director Sushant Shah is all set to entertain the audience with his multi-starrer comedy film Bajatey Raho. Issaq is a movie that has been making unique attempts for promotion to capture the attention of audience. The film directed by Manish Tiwari is an adaptation of Shakespeare's Romeo and Juliet. Love U Soniyo is a fresh young love story starring Rati Agnihotri's son Tanuj opposite newcomer Neha Hinge. This movie is a Bollywood debut for both the actors. Its a clash of genres this Friday, July 26. Along with all the romance, drama and fun, we also have a crime chronicle Ek Bura Aadmi inspired by the real life stories of some criminals from eastern UP and Bihar, who turned politicians. This film directed by Ishraq Shah feautres Arunoday Singh and Kitu Gidwani in prominent roles. I Love New Year is a romantic comedy movie starring Kangna Ranaut and Sunny Deol and this too releases today. Ooops a Desi! Yes, that's the name of a movie directed by Jenner Jose that also releases today. The film which features Buali Shah, Adnan Khalid, Pragathi Yadhati and Gideon Samson is a Hindi romance thriller film. The movie also has some action sequences. With such a large number of releases, how can there not be a biopic? The Buddha, a mid-budget biopic with new director Praveen Damle, is another release. Looks like the competition in Bollywood is not enough. There is a big release on the Hollywood front too. Hugh Jackman-starrer The Wolverine from the X-Men series also releases in India today. To all this mix of films, there is an addition from the South. The Tamil masala-action movie Singam II now has a dub version in Hindi. The Bollywood version is called Main Hoon Surya Singham 2. There is good news for all those who love animated movies and 3D. Planes is a Disney UTV's animated film. This sports adventure movie also features Priyanka Chopra's voice. Have a look at the photo slider and decide which movies you want to watch this weekend.

MADRAS CAFÉ STORY

 

Madras Cafe movie is an Indian political thriller in which John Abraham plays as an Indian intelligence agent, while Nargis Fakhri as an international reporter. The film also deals with the subject of terrorism.

Nargis Fakhri- A new Role

Nargis Fakhri will soon be seen in Madras Cafe and this time she will be saying her dialogues in her own voice for the film. The actress who made her debut in the the Ranbir Kapoor-starrer Rockstar did not speak her lines then because she couldn't speak Hindi. Shoojit Sircar's Madras Cafe will be the first film in which the 

audience will get to hear the voice of the 33-year-old actress. However, there is a catch to this. Do not expect Nargis to have mastered Hindi and speak in the language fluently. Fortunately for her, she plays a European journalist in Madras Cafe, so she doesn't have to speak any Hindi.

Shah Rukh Khan shows off his funny side

Shah Rukh Khan-starrer Chennai Expressare on in full swing, and the superstar is busy making the rounds at various television shows.

After Tarak Mehta Ka Oolta Chashma, SRK landed up on the sets of Comedy Nights With Kapil. This is the second time he has featured on this show.

Everyone knows Shah Rukh Khan can be very witty. And he obliged everyone by showing off his skills.

Here, he's seen with host Kapil Sharma.

Aya of Yop City : Film Review

Produced by The Rabbi’s Cat team of Joann Sfar and Antoine Delesvaux, the film shares a similar hand-drawn, ornately colorful aesthetic, making a convincing jump from page to screen without losing the rich texture of the original six-part series (published between 2005 and 2010). Yet it tends to suffer from the same haphazard narrative structure as Cat, linking together several plot strands from different volumes instead of building a single story arc with a strong enough emotional pull.

Still, there’s much to feast one’s eyes and ears on here, as we watch aspiring doctor Aya (Aissa Maiga) deal with the mishaps of her extended network of friends and family, all of whom live in the shoddy township of Yopougon in the late '70s.

Though Aya narrates most of the action, two of the film’s major storylines actually involve her BFFs Bintou (Tella Kpomahou) and Adjoua (Tatiana Rojo), both of whom dream of marrying a rich guy and opening their own beauty salons. Unfortunately, Adjoua gets knocked up by a mysterious beau and decides to pin it on Moussa (Jacky Ido), the shiftless son of a wealthy brewery magnate, hoping to secure her family’s future in the process. Meanwhile Bintou starts an affair with a flashy Ivorian expat, who she thinks will whisk her away to the finer parts of Paris (she doesn’t yet know what Belleville is).

While they don’t necessarily build into a cohesive whole, Aya’s stories do offer up a telling commentary on the social barriers faced by her community, as the Ivory Coast slowly evolves into a postcolonial capitalist state. These moments are best revealed by several overtly tacky TV commercials from the epoch that Abouet and Oubrerie intercut with the drama, as well as by a subplot involving Aya’s father (also voiced by Jacky Ido), who works for the local beer magnate (Pascal N’Zoni) and his crumbling empire.

A Mast comedy scene from -Anubhav movie. MUST WATCH!!!

Issaq- Review: is an insultingly bad film

This week a film called Issaq releases across the country, and it's yet another Shakespeare adaptation: Romeo And Juliet, this time, set in Benaras. 

It is a preposterously bad film, a shoddy wannabe that -- despite taking scraps from the table of Shakespearewallah Bhardwaj -- lacks ambition, soul, clarity. In case you were wondering, that title is pronounced iss-suck. And the film takes that last syllable far, far too seriously. The first time I saw Prateik Babbar in Jaane Tu Ya Jaane Na I was significantly intrigued. The second time I saw him, this time as a leading man, I was impressed. 

Without holding his Dum Maaro Dum squeakiness against him, I thought he'd be a solid choice to play that most overplayed of romantics. Also, I'd found many a merit in director Manish Tiwary's first film, Dil Dosti Etc. Guided by the bard's most universally evocative (and most frequently evoked) text, I thought something interesting might be on the cards.

It isn't. This is a monstrosity, a shoddily put-together collection of weakly written scenes that don't even attempt to flow from one scene to the other. The editors may be the chief culprits here, but the leading man must be chastised first. 

Babbar is an enormous failure and an overblown embarrassment. His performance, lacking in both consistency and sincerity, is affected also by a simian gracelessness: his line-readings are atrocious, and every other dialogue is delivered in a different kind of pitch. 

It is one of those cringeworthy producer's-son kind of performances, but I hear the Ramaiyya Vastavaiyya bloke was less painful. (I don't doubt it. What Babbar achieves here is a quite spectacular trainwreck; Tushhhar Kapoor and Jacckkie Bhagnani, however they spell their names, should hit theaters immediately for a good laugh.)

Perhaps in a misplaced tribute/slur, Tiwary names his battling families Kashyap and Mishra: it feels as if independent filmmaking buddies Anurag and Sudhir had a truly bloody falling out. 

The two families are out and baying for each other's blood, but in the middle of their gangland strife is shoehorned a strange "Madrasi" Naxalite who gets his men to wear his face on masks and sculpt likenesses of him in the sand. It is all most exasperatingly harebrained and amateurish.

But then doesn't that particular play work even when performed by schoolboys in drag dangling over cardboard balconies? The whole point of that love-struck romeo and his street-side serenade is that you know all the inevitable, gristly facts but hey... whatcha gonna do about it?

'Satyagraha a Glimpse of Nirbhaya, Gandhi, Anna Hazare'

The cast of Prakash Jha’s new movie Satyagraha --  Amitabh Bachchan, Kareena Kapoor, Ajay Devgn, Arjun Rampal, Manoj Bajpayee and Amrita Rao -- launched a song called Raghupati Raghav from the movie, at a suburban studio on July 25.

Raghupati Raghav Raja Ram is a popular bhajan, and was Mahatma Gandhi's favourite.

Director Prakash Jha said that they had modified the song. "We have retained the initial lines of original prayer and added new lines keeping in mind the sentiments of people today,” he informed the media present.

"Middle class people across the world protest if they are in a democracy. The film is not about Anna Hazare. There is no reflection of his protest. But the essence is with Nirbhaya, Mahatma Gandhi and Anna Hazare," Jha said.

The director was confident that his film will be able to attract the audience to the theatres. "I feel that people will get entertained, people will get engaged and they will feel satisfied after seeing this film and that it is worth their money, it is their time's worth. It is worth the effort to come and see the film," he said.

D-Day

Critic's Rating: ***

Cast: Rishi Kapoor, Irrfan Khan, Arjun Rampal, Huma Qureshi, Shruti Haasan, Nasser

Direction: Nikhil Advani

Genre: Thriller

Duration: 2 hours 30 minutes

Story: Four Indian agents plan to bring India's most wanted criminal home from Pakistan - do they succeed?

Review: Straight up, D-Day is explosive at three levels. The plot crackles. The acting sears. And the music flares with passion. Four Indian agents, angry and RAW, enter Pakistan to bring Iqbal Seth (Rishi Kapoor), a Dawood-like don, hated for his terrorism, home. Wali Khan (Irrfan) has married a local woman and fathered a child, but longs to find freedom from the truth and lies he lives. Irrfan amazes, switching from tender to treacherous in a flash, authentic as he calls out "Rudar!" to Rudra Pratap Singh (Arjun), a man of molten mysteries, introduced with a Lawrence of Arabia-like flair.

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The Wolverine

Critic's Rating: ****

Cast: Hugh Jackman, Tao Okamoto, Famke Janssen, Hiroyuki Sanada, Rila Fukushima, Hal Yamanouchi, Svetlana Khodchenkova, Will Yun Lee

Direction: James Mangold

Genre: Adventure

Duration: 2 hours 17 minutes

Story: The Wolverine/Logan is summoned to Japan to meet an old friend whose life he had saved in Nagasaki, during World War 2. On his deathbed, the man (now a billionaire industrialist) wants to return the favor to Logan. However, the latter is drawn into a conflict that is as much about confronting his demons as it is a fight for survival.

Movie Review: Some of the Wolverine's (Jackman) instinctual qualities include being able to sniff out danger. So, when Yukio (Fukushima) tracks down Logan and brings him to Yashida (Yamanouchi), Logan senses something wrong. He is angered by the deal Yashida suggests and plans to leave Japan.

But then, he encounters Yashida's sexy granddaughter Mariko ( Tao Okamoto) who immediately appeals to another set of Logan's instincts. Yashida's death leads to a battle for his fortune and various bad guys make a beeline to kill Mariko because she has been appointed sole heiress. The Wolverine becomes her guardian (and more) and Yukio (Mariko's childhood pal) becomes Wolverine's 'bodyguard'.

This is when director Mangold takes a deep dip into various Japanese themes. Ninjas, modern-day Yakuza, themes of loyalty, honour and even Shinto references are visited here. The Japanese setting - bright lights, big city as well as rural outskirts - is delightful.

On the run, Wolverine is attracted to Mariko's unflappable calm and strength as much as she is to his bravery and courage. He sometimes hallucinates about Jean Grey (Janssen) who was the love of his life, even while in bed with Mariko. So, you have old love versus new love too. Also after them is the venom-spitting Viper (Khodchenkova) in a green bodysuit who takes the femme fatale bit too far.

There are superhero movies with better gags and then there are superhero films with more effects. Eschewing any of those in excess, what this film also offers is soul, pathos and a pretty good look at the multifaceted character that is The Wolverine.

Note: You may not like this film if you aren't fond of superhero flicks based on comic book characters.

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Nasha

Critic's Rating: **

Cast: Poonam Pandey, Shivam Patil

Direction: Amit Saxena

Genre: Thriller

Duration: 1 hour 58 minutes

Story: An 18-year-old boy is obsessed with his older sexy school teacher. Is it love, lust or just a vagary of youthful desires?

Movie Review: Lean, mean teens, with hormones gushing through your jeans, get ready to spray them denims already. 'Nasha' unclothes the tantalizing desires of stud-boy teenagers who are out for their 'de-virginization' - or pehla Nasha. With their boxers down and tongues twirling around. The story churns up a visual world of sex, sin, seduction and all the sensations that go with it. The hormones, moans and groans included.

Anita (Poonam) makes an entry as a summer (read: hot) activity teacher at school. In micro-minis, swaying derriere and long legs - she's the doyen of every boy's wet dream. Everytime she goes for a morning jog, the boys get off on a cardio of the carnal senses. Back to school, the activities include a play (foreplay to follow) on love and romance (as a bonus she throws in seduction too. Lucky boys!).

One of them, Saahil (Shivam) gets obsessed with his 25-something teacher, but soon the schoolboy fantasy turns into a fiery, passionate longing that abandons reason. Enter, Anita's boyfriend, Sam (Vishal Bhonsle), with his libido unleashed (they peck and pet in public, quite educational, eh!). What follows is a lot of drama (mostly out-of-bed), padded with unmoving subplots and uninspiring music.

For someone who has stepped into Bollywood, right out of a bubble bath, Poonam Pandey's performance is not 'rousing', but it's not as 'raw' as you would expect. She holds up well (no pun intended), while going shockingly stingy on skin show. Debutant Shivam doesn't suffer 'performance anxiety'; he shows vulnerability as a smitten schoolboy. Sometimes you can't tell if he's angry or aroused, but as the movie progresses he comes into his own.

Amit Saxena's erotic thriller shows more emotion than eroticism. It has some flashes and moods of his first outing 'Jism', though at a story level it falls way behind. He sexes up some moments, leaving a lot to imagination. In the second half it loses steam (even with hot action).

If you're looking for something more between the sheets, this will leave you high and dry.

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Bajatey Raho

Critic's Rating: ***

Cast: Tusshar Kapoor, Vinay Pathak, Dolly Ahluwalia, Ranveer Sheorey and Vishaka Singh

Direction: Shashant Shah

Genre: Comedy

Duration: 1 hour 47 minutes

Story: A middle-class widow, her son and a motley group make a plan to dupe a devious businessman who brought grief to their lives. Do they succeed in getting their back at him?

Movie Review: In his third outing in Bollywood, Shashant Shah, who has been previously credited with Dasvidaniya (2008) and Chalo Dilli (2011), attempts a light-hearted comedy based out of sadda Dilli. Predominantly Punjabi-flavoured, the film is one of those of linear, comic capers with a slight drama that makes you smile, though the situations and characters are cliched. A businessman-thug Sabharwal (Ravi Kishan) gets a couple of his bank employees incarcerated when one of his hare-brained investment schemes goes kaput. The shamed bank manager commits suicide. And his lady accomplice goes to jail.

The investors start baying for the blood of the departed banker's widow, Mummyji (Dolly Ahluwalia) and her son ( Tusshar Kapoor). So the aggrieved party and a couple of their well-wishers, child actor Hussan Saad, Ranveer Sheorey and Vinay Pathak, whose wife is the other one imprisoned, and a teenager called Kabootar, make a fool-proof plan to deceive the man who is responsible for their woes.

Mummyji and gang target the various premises and businesses of Sabharwal. And the ways and means they adopt to achieve their end, makes way for comic situations. And love. Yes, Tusshar also manages to sing a duet with a wide-eyed neighbour ( Vishaka Singh), who later becomes his accomplice.

Ransoms, raids and break-ins follow. The unsuspecting Sabharwal allows the gang to infiltrate his home and heart. And the action all comes together at his daughter's wedding because that's when he realises that he's been bajaoed (taken for a ride.)

A film without star-power depends largely on convincing performances. Dolly Ahluwalia, on a roll since Vicky Donor, is adept as are Ravi Kishan, Tusshar, Ranveer and Vinay.

While two of the songs are passable, an aarti based on a popular Bollywood tune and the item song - main naagin dance nachna—are paisa vasool.

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Engagement of Subject Specific Teachers (TGTs) on Contract Basis Under SSA in Schools of DOE Delhi, 2013-14
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Grand Masti Movie Trailer

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Ramaiya Vastavaiya Movie Review

Critic's Rating: 2.5 STAR

Cast: Girish Kumar, Shruti Haasan, Sonu Sood, Randhir Kapoor, Vinod Khanna, Poonam Dhillon

Direction: Prabhudheva

Genre: Romance

Duration: 2 hours 28 minutes

Story: A NRI boy falls in love with gaon-ki-girl, their families oppose, but he labours to win them over. 

Movie Review: Welcome to Animal Farm. With ample chicks, hens, horns; many 'murgas', mulgis, mummyjis and baaratis. Add to this rustic beauty some colours of harvest, village belles, jadoo ki jhappi (read: item number by Jacqueline Fernandez) and of course, amidst it all - blooming romance in fields of gold. In pure Prabhudheva style - with spoonfuls of desi ghee!

Ram (Girish), billionaire baap (Randhir) ka beta from Australia, lands in India for a wedding, where he's stunned to see lovely ladies bedecked in salwar-kamzeez and sarees (Whaaat? Kis khet ki mooli hai yeh?!). He falls in love with the bride's best friend, the simple gaon-ki-chori, Sona (Shruti). She's forced to leave him, but Ram follows her to the village and swears to win over her bhaiya, the proud kisaan, Raghuvir (Sonu). The billion-dollar-baby turns desi-cool - He ploughs, milks the cows (even puts them on a diet), and does a 'shitload' of work (with gobar, ghaas, et al).

The film (remake of Prabhudheva's debut directorial Telugu film) isn't ripe with any newness - in story or direction. In fact, it discernibly replants stories from the 80's-90's era (remember: 'Maine Pyar Kiya', 'Pyar Kiya Toh DarnaKya'), with cliches, a banal plot, an field-full of supporting cast (of which Kapoor and Khanna are underused but good) and a budding lead pair.

Debutant Girish makes a splash of an entry (surfing in blue seas, 'Bond' babes take a bow), and dances with flair. His overly exuberant performance seems flaky in the first half. Later, when he turns from a cool to kisaan, he breaks loose and performs a tad better. Shruti looks the desi beauty; her performance is not striking, yet likeable. Sonu is the best of the 'crop', his years of labour as an actor shows. There are few good laughs, doses of sweetness and fresh melodies (Sachin-Jigar), but sadly even that is mowed down by heightened histrionics, routine dialogues and a trite tale.

This one's like a pretty field decked up in celebration, but with no real harvest to show.

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